By Sabrina Jeffries
"Helena Laverick is at her wits finish! the one guy who may help locate her eloping younger sister is that scoundrel Daniel Brennan : the guy who performed together with her feelings final yr after which left. And he was once a smuggler! even supposing Mrs. Nunley's consultant to Etiquette for younger girls might by no means approve, Helena pressured to move after the runaway in Daniel's corporation. yet anything approximately being with him feels oddly liberating , and a scrumptious tingle warns Helena that greater than her attractiveness could be in danger...
Daniel reveals lots of the prim and correct lovely's principles ridiculous but if she insists on masquerading as his spouse for the sake of appearances, he instantly envisions the delights of sharing a bedchamber. The unforeseen smouldering underneath her straitlaced external ignites his wish, and die vulnerability hidden underneath her cool keep an eye on makes him wish her much more. but Helena's a girl, and he's the son of a highwayman. How can he ever ask her to percentage his world?
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Additional info for A Notorious Love (Swanlea Spinsters, Book 2)
14. Chibnall, ‘The sources used by William of Poitiers’ (Davis and Chibnall 1998: xxi, xxxi). 15. See Partner (1977: esp. 1-8); Damian-Grint (1999a: 85, 147). 16. , Lodge (1990); Partner (1977: esp. 183-93). 17. See Damian-Grint (1999b: 349-67, esp. 353-58). See also the discussion of the word gloser in Möhren (1997: 139). 18. Chronique 27219-35 (the whole episode takes lines 27197-466). 19. At a very rough estimate, Benoît’s Chronique is over six times as long as its Latin originals. 20. For these topoi see Damian-Grint (1999a): purpose of history (94-98), praise of material (1035), and industria (123-31).
Their impaled arms on a couched shield, are woven into the upper border, and supported by an angel in flight in the centre of the lower border. 30. See fols. 25, 44v, 101v, 117, 128 (Poitiers), 176v and 182. 31. I hope to publish a study of the heraldry of this manuscript, and to identify successfully all of the banners displayed in the borders and miniatures, which refer to the protagonists present at Crécy and Poitiers, but also at skirmishes which we would today regard as of lesser significance.
Villela-Petit, Ines (2004). ’ Paris 1400, Les arts sous Charles VI. Paris: Arthème Fayard. 371-73. Acknowledgements The author, editors and publisher express their gratitude to the following institutions and their librarians for kind permission to reproduce photographs from manuscripts in their collections: Bibliothèque nationale de France Bibliothèque d’Étude et de Conservation, Besançon Pierpont Morgan Library, New York Stonyhurst College Library, Lancashire Bibliothèque d’Étude et du Patrimoine, Toulouse The British Library All photographs from the Bibliothèque nationale de France, the British Library, the Morgan Library and the Bibliothèque d’Étude et du Patrimoine, Toulouse are © of those institutions.