By Kathryn Smith
"A suggestion of marriage she couldn't refuse...
Lord Braven has kept Rachel Ashton's existence two times, it seems-when he snatched her from the icy Yorkshire river...and while he provided to marry her. Now the determined pass over may be rid without end of the repulsive husband-to-be her horrid stepfather has ""sold"" her to. yet although either agree their marriage is in identify merely, Rachel unearths she can't brush aside her burning have to flavor the candy kiss of her speeding benefactor.
A ardour they can now not resist
Having a true spouse is unthinkable, due to the fact Braven must not ever love back. And so long as this sham marriage isn't really consummated, his center will stay secure -- and his mystery can move untold. however the beautiful attractiveness tempts the haunted lord unmercifully along with her deep lavender eyes and sensuous complete lips. How can he withstand this so much perilous hope, whilst his center swears it'd be extra risky nonetheless to disclaim himself the ecstasy of real love?
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Additional resources for A Seductive Offer (Friends Trilogy, Book 1)
14. Chibnall, ‘The sources used by William of Poitiers’ (Davis and Chibnall 1998: xxi, xxxi). 15. See Partner (1977: esp. 1-8); Damian-Grint (1999a: 85, 147). 16. , Lodge (1990); Partner (1977: esp. 183-93). 17. See Damian-Grint (1999b: 349-67, esp. 353-58). See also the discussion of the word gloser in Möhren (1997: 139). 18. Chronique 27219-35 (the whole episode takes lines 27197-466). 19. At a very rough estimate, Benoît’s Chronique is over six times as long as its Latin originals. 20. For these topoi see Damian-Grint (1999a): purpose of history (94-98), praise of material (1035), and industria (123-31).
Their impaled arms on a couched shield, are woven into the upper border, and supported by an angel in flight in the centre of the lower border. 30. See fols. 25, 44v, 101v, 117, 128 (Poitiers), 176v and 182. 31. I hope to publish a study of the heraldry of this manuscript, and to identify successfully all of the banners displayed in the borders and miniatures, which refer to the protagonists present at Crécy and Poitiers, but also at skirmishes which we would today regard as of lesser significance.
Villela-Petit, Ines (2004). ’ Paris 1400, Les arts sous Charles VI. Paris: Arthème Fayard. 371-73. Acknowledgements The author, editors and publisher express their gratitude to the following institutions and their librarians for kind permission to reproduce photographs from manuscripts in their collections: Bibliothèque nationale de France Bibliothèque d’Étude et de Conservation, Besançon Pierpont Morgan Library, New York Stonyhurst College Library, Lancashire Bibliothèque d’Étude et du Patrimoine, Toulouse The British Library All photographs from the Bibliothèque nationale de France, the British Library, the Morgan Library and the Bibliothèque d’Étude et du Patrimoine, Toulouse are © of those institutions.