By Alberto Moravia, Michael F. Moore
Thirteen-year-old Agostino is spending the summer season at a Tuscan seashore lodge together with his appealing widowed mom. while she takes up with a cocksure new spouse, Agostino, feeling missed and unloved, starts placing round with a gaggle of neighborhood younger toughs. even though repelled via their squalor and brutality, and again and again humiliated for his weak spot and lack of expertise by way of girls and intercourse, the boy is more and more, masochistically interested in the group and its tough video games. He unearths himself not able to make experience of his stricken emotions. Hoping to be choked with manly calm, he's as a substitute beset by way of in charge interest and an pressing wish to sever, at any rate, the thread of afflicted sensuality that binds him to his mom.
Alberto Moravia's vintage, startling portrait of innocence misplaced was once written in 1942 yet rejected through Fascist censors and never released till 1944, whilst it turned a top vendor and secured the writer the 1st literary prize of his profession. Revived right here in a brand new translation through Michael F. Moore, Agostino is poised to captivate a twenty-first-century viewers.
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Extra info for Agostino
When once the spirit is raised to pure intuition, distraction by passion is oppressive: and recovery of pure intuition then is a release or expansion. ] Preach to your family, to your closest relatives […]. Horrid advice! || This oriental deity is a good symbol for the absoluteness of Nature, but not for her constancy. 26 p 455 ||On the difference between “sufies” [sic] and “Malamies”:|| I have such a thick head when saints do what is wrong I think they are wicked! ] Falling in love with nobody in particular: Spring fever.
Of color, and diaphanous bodies such as water:] Colour is the limit of transparency. [ These definitions, even when good, are not physical: they are definitions of “concretions in discourse”. Things cannot be defined, they must be decomposed or derived from their causes. ] […] all memory is associated with time. Therefore, only those creatures that have perception of time, have memory, and memory attaches to that organ [the heart] whereby time is perceived. Memory is here pregnantly and transcendentally understood.
Active sensation is used in a way similar to active thinking. There is, however, this difference, that the objects which produce sensation are external, […]. The reason for this is that active sense-perception refers to particular things, while scientific knowledge refers to the universal. These universals, however, are, in a certain sense, in the mind itself. Therefore it is in one’s power to think when one wills, but to experience sense-perception is not thus in one’s power; for a sensible object must first be present.