By Lorraine Heath
Kitty Robertson has grown up prosperous and influential, and she’s by no means extra at domestic than whilst in an English parlour exhibiting her social graces. while she seems to be for a husband, in fact she seeks a guy simply as domestic in his position—hopefully a lofty one—as she is. Nicholas Glenville, Marquess of Greystone, is simply this type of guy. he's so attentive and gentlemanly that she can’t support yet settle for his notion of marriage, and is now awaiting this Season being her final one as a unmarried girl. yet on the first actual ball of the 12 months she meets an enigmatic, wonderful duke who asks her for a dance. That duke is Trevor Nicholson, a guy who is familiar with the marquess good sufficient to grasp that he wouldn't make her any form of husband in any respect. as an alternative he nominates himself for the placement, yet as he quickly reveals, convincing the attractive leave out Robertson to marry him as a substitute often is the trickiest—and such a lot worthwhile—task of his life.
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Extra info for An Invitation to Seduction (Daughters of Fortune, Book 4)
14. Chibnall, ‘The sources used by William of Poitiers’ (Davis and Chibnall 1998: xxi, xxxi). 15. See Partner (1977: esp. 1-8); Damian-Grint (1999a: 85, 147). 16. , Lodge (1990); Partner (1977: esp. 183-93). 17. See Damian-Grint (1999b: 349-67, esp. 353-58). See also the discussion of the word gloser in Möhren (1997: 139). 18. Chronique 27219-35 (the whole episode takes lines 27197-466). 19. At a very rough estimate, Benoît’s Chronique is over six times as long as its Latin originals. 20. For these topoi see Damian-Grint (1999a): purpose of history (94-98), praise of material (1035), and industria (123-31).
Their impaled arms on a couched shield, are woven into the upper border, and supported by an angel in flight in the centre of the lower border. 30. See fols. 25, 44v, 101v, 117, 128 (Poitiers), 176v and 182. 31. I hope to publish a study of the heraldry of this manuscript, and to identify successfully all of the banners displayed in the borders and miniatures, which refer to the protagonists present at Crécy and Poitiers, but also at skirmishes which we would today regard as of lesser significance.
Villela-Petit, Ines (2004). ’ Paris 1400, Les arts sous Charles VI. Paris: Arthème Fayard. 371-73. Acknowledgements The author, editors and publisher express their gratitude to the following institutions and their librarians for kind permission to reproduce photographs from manuscripts in their collections: Bibliothèque nationale de France Bibliothèque d’Étude et de Conservation, Besançon Pierpont Morgan Library, New York Stonyhurst College Library, Lancashire Bibliothèque d’Étude et du Patrimoine, Toulouse The British Library All photographs from the Bibliothèque nationale de France, the British Library, the Morgan Library and the Bibliothèque d’Étude et du Patrimoine, Toulouse are © of those institutions.