By Caroline Linden
"**Sometimes It Takes a Scandal...**
Abigail Weston has every little thing: good looks, wit, and one of many biggest dowries in England. Her mom and dad wish she'll wed an earl. Abigail hopes for a guy who desires her desperately and passionately. however the cash turns out to blind each guy she meets—except one.
Sebastian Vane has not anything. He got here domestic from conflict with a shattered leg to discover his father mad and his inheritance long past. He's no longer a healthy suitor for an individual, not to mention an heiress. yet Abigail lighting up his international like a comet, brilliant and lovely and ready to see *him* rather than his ruined popularity. And it could actually finish fortunately ever after...
**To exhibit Your Heart's Desire**
...Until Benedict Lennox starts off dating Abigail. Ben is every thing Sebastian isn't—wealthy, captivating, inheritor to an earl. Sebastian won't surrender the single woman he's ever enjoyed with out a struggle, yet Abigail needs to make a choice from the penniless gentleman who strikes her center, and the suitor who's every little thing her mom and dad want.
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Additional info for It Takes a Scandal (Scandalous, Book 2)
14. Chibnall, ‘The sources used by William of Poitiers’ (Davis and Chibnall 1998: xxi, xxxi). 15. See Partner (1977: esp. 1-8); Damian-Grint (1999a: 85, 147). 16. , Lodge (1990); Partner (1977: esp. 183-93). 17. See Damian-Grint (1999b: 349-67, esp. 353-58). See also the discussion of the word gloser in Möhren (1997: 139). 18. Chronique 27219-35 (the whole episode takes lines 27197-466). 19. At a very rough estimate, Benoît’s Chronique is over six times as long as its Latin originals. 20. For these topoi see Damian-Grint (1999a): purpose of history (94-98), praise of material (1035), and industria (123-31).
Their impaled arms on a couched shield, are woven into the upper border, and supported by an angel in flight in the centre of the lower border. 30. See fols. 25, 44v, 101v, 117, 128 (Poitiers), 176v and 182. 31. I hope to publish a study of the heraldry of this manuscript, and to identify successfully all of the banners displayed in the borders and miniatures, which refer to the protagonists present at Crécy and Poitiers, but also at skirmishes which we would today regard as of lesser significance.
Villela-Petit, Ines (2004). ’ Paris 1400, Les arts sous Charles VI. Paris: Arthème Fayard. 371-73. Acknowledgements The author, editors and publisher express their gratitude to the following institutions and their librarians for kind permission to reproduce photographs from manuscripts in their collections: Bibliothèque nationale de France Bibliothèque d’Étude et de Conservation, Besançon Pierpont Morgan Library, New York Stonyhurst College Library, Lancashire Bibliothèque d’Étude et du Patrimoine, Toulouse The British Library All photographs from the Bibliothèque nationale de France, the British Library, the Morgan Library and the Bibliothèque d’Étude et du Patrimoine, Toulouse are © of those institutions.