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By Kieran Kramer

"**Can A Scandalous Beginning...**

Janice Sherwood desires to marry for romance, yet she’s did not make a fit after Seasons. Her mom and dad, the Marquess and Marchioness of Brady, set up to ship her to the Duke of Halsey’s nation property as a non permanent visitor of his grandmother, the dowager, in hopes that she may perhaps win the duke’s affections. What they by no means can have imagined is that Janice could fall for the ruggedly good-looking servant, Luke, who lives within the stables and incorporates an charisma and temptation.

**Lead To A Fairy-Tale Ending?**

When Luke Callahan learns that he's the valid inheritor to a dukedom, he'll cease at not anything to say what's his. yet first, he needs to start a online game of hide to safe his rightful inheritance. Janice isn’t a part of his plan. yet through attractive her during this dance of deception, may well he lose her forever?
"

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Say Yes to the Duke (House of Brady, Book 3)

"**Can A Scandalous starting. .. **

Janice Sherwood desires to marry for romance, yet she’s did not make a fit after Seasons. Her mom and dad, the Marquess and Marchioness of Brady, manage to ship her to the Duke of Halsey’s state property as a non permanent visitor of his grandmother, the dowager, in hopes that she may possibly win the duke’s affections. What they by no means can have imagined is that Janice could fall for the ruggedly good-looking servant, Luke, who lives within the stables and incorporates an charisma and temptation.

**Lead To A Fairy-Tale finishing? **

When Luke Callahan learns that he's the valid inheritor to a dukedom, he'll cease at not anything to say what's his. yet first, he needs to commence a video game of cover to safe his rightful inheritance. Janice isn’t a part of his plan. yet by way of attractive her during this dance of deception, may well he lose her forever?
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Additional resources for Say Yes to the Duke (House of Brady, Book 3)

Example text

14. Chibnall, ‘The sources used by William of Poitiers’ (Davis and Chibnall 1998: xxi, xxxi). 15. See Partner (1977: esp. 1-8); Damian-Grint (1999a: 85, 147). 16. , Lodge (1990); Partner (1977: esp. 183-93). 17. See Damian-Grint (1999b: 349-67, esp. 353-58). See also the discussion of the word gloser in Möhren (1997: 139). 18. Chronique 27219-35 (the whole episode takes lines 27197-466). 19. At a very rough estimate, Benoît’s Chronique is over six times as long as its Latin originals. 20. For these topoi see Damian-Grint (1999a): purpose of history (94-98), praise of material (1035), and industria (123-31).

Their impaled arms on a couched shield, are woven into the upper border, and supported by an angel in flight in the centre of the lower border. 30. See fols. 25, 44v, 101v, 117, 128 (Poitiers), 176v and 182. 31. I hope to publish a study of the heraldry of this manuscript, and to identify successfully all of the banners displayed in the borders and miniatures, which refer to the protagonists present at Crécy and Poitiers, but also at skirmishes which we would today regard as of lesser significance.

Villela-Petit, Ines (2004). ’ Paris 1400, Les arts sous Charles VI. Paris: Arthème Fayard. 371-73. Acknowledgements The author, editors and publisher express their gratitude to the following institutions and their librarians for kind permission to reproduce photographs from manuscripts in their collections: Bibliothèque nationale de France Bibliothèque d’Étude et de Conservation, Besançon Pierpont Morgan Library, New York Stonyhurst College Library, Lancashire Bibliothèque d’Étude et du Patrimoine, Toulouse The British Library All photographs from the Bibliothèque nationale de France, the British Library, the Morgan Library and the Bibliothèque d’Étude et du Patrimoine, Toulouse are © of those institutions.

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